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Archive for the ‘Pro-Video’ Category

Burning HD video to Blu-ray with Toast 10

16 Jan

Below are the details of burning HD video content from Final Cut Pro to a standard DVD, using the Blu-ray format using Toast and the Toast Blu-ray plugin.  It is not necessary to have a Blu-ray burner for this procedure – a standard DVD and DVD burner are fine.  However, playback can only occur from a Blu-ray player, because the format of the disc is Blu-ray.

Basically:

  1. Output sequence from FCP via EXPORT with Current Settings and DVD Studio Pro Markers to .MOV
  2. Using COMPRESSOR with Blu-ray settings make .264 and .ac3
  3. Using TOAST on the Video>Blu-Ray setting

 

PREPPING IN FCP

I used to do some of the final assembly in DVD Studio Pro.  But since it really only (directly) allows the building of standard DVDs, I’ve changed some of my procedures.  I realize that DVD Studio Pro allows for HD-DVD output, but I’ve never figured out a way to use the defunct format to make Blu-rays.  And honestly, this is an easier way to do it anyway.

Once I’ve completed my editing, a make a new sequence using the same settings as my editing format (i.e. Apple Pro-Res, etc.).  I use this sequence to build each track (not chapters) that is used on the disc.  In most cases, I’m building the entire disc complete with the exact timing I want.   I then place any compression markers I think are needed.  And I put in chapter markers with Titles, as these will flow through the entire process.

When everything is set, I use the FILE>EXPORT>QUICKTIME MOVIE command in final cut to output a “self-contained” .MOV at the “Current Setttings.”  It is important that “Include DVD Studio Pro Markers” is selected.  Otherwise, Compressor will not read the chapter markers (even though you may have selected ALL MARKERS).

I know it possible to output straight from Final Cut here to a Blu-ray format.  But because I may have mulitple outputs (DVD, Blu-Ray, YouTube, iPhone, etc.), I prefer to have a self-contained file of the rendered sequence at the resulation of the sequence settings.   So, I Export from FCP to a file and then use COMPRESSOR to encode.

 

COMPRESSOR

Once I have the final cut .MOV, I use Apple’s Compressor to make the various formats.  The defaults work pretty good.  If you want to do new HD on YouTube, you’ll have to tweak that preset…but otherwise, the defaults work well.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

TOAST

After Compressor finishes, open Toast to VIDEO>BLU-RAY VIDEO.  If you leave the default file-names from compressor, you’ll need to manually match audio ac3 file to the .264 video file.  Otherwise, name the files the same, leaving their extension.  Is long as the files are in the same directory, you’ll only need to drag the video file into Toast – Toast will do the rest.

Next, name the disc (or leave defaulted to MY VIDEO).  Then select burn.  NOTE:  It is not necessary to select DVD for media when burning Blu-ray to standard DVD.

 

 

 

 

 

 

 

 

 

 

 

 

 

That’s it.  Got to love HD!

 
 

Final Cut Pro Media Manager Not Working

14 Jan

I’ve been using Final Cut Pro since v2.0. Now at FCP 7, I’ve always had a lack of confidence in FCP’s Media Manager.

First, it seems to have a mind of its own, like spell check in MS Word And in similar fashion to spell check, while very helpful at times…while very frustrating in others.

And second, projects restored from previous versions are sometimes unusable. I do a lot of Sports, and projects saved in earlier versions of Media Manager often have vari-sped clips completely screwed. Sometimes to an unrepairable point.

So in an attempt to try and figure out why a relativity small project with 20 years of source footage wasn’t going to shrink in archiving, I discovered why.

NOTE:  While this is probably in the manual somewhere…here it is in case anyone else is experiencing the same issue..

RESOLUTION:

Media Manager will ignore the selection “Delete Unused Media from Clip” unless there is a Reel number on the clip.  Also note, that if you have clips in your timeline that are not “ENABLED,” then your output project will not reconnect properly.  It will likely give you an “unknown error” trying to reconnect.

 
 

Workflow and Archiving AVCHD footage

07 Oct

UPDATED: Jan, 2011

I have been using my Sony HDR-SR12 camcorder for several years now (here is a link to that post). As much as I love this camcorder and storing straight to a hard drive, AVCHD footage presented some workflow challenges with my editing system – Final Cut Pro.  And since Sony’s archiving software is Windows only and I work on a MAC, archiving was no picnic either. But the solution I’m currently using is achieving good results for both, so I thought I would share my process for anyone else facing these issues. Read the rest of this entry »

 
 

Sony HDR-SR12 – Review

31 Jan

I’d been waiting for the right combination of features to make the plunge to a high definition camcorder for personal use.  I’ve been using the 3 CCD Sony HDR-FX1 hdr-sr12for professional use, but it is too large to carry around for personal use.

Enter the HDR-SR series.  I won’t cover the specs – cause it’s been done…but this verson is a 120 Gig internal hard drive.  This new camera had everything I was intrested in except, a 20x optical zoom and HDV versus AVCHD.  The 20x just isn’t happening.  I believe due to the sensor size and format, it’s just too expensive to produce this – for now.   Nevertheless, the 12x smaller Carl Zeiss lense is very good.

Waiting for HDV was ignorance on my part.  I’m stunned how good AVCHD format Read the rest of this entry »

 
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